導讀
認同與超越的覺醒 - 陳智德

最有感觸是看香港麥海珊的錄像片《唱盤上的單行道》，實驗式散文拍法，觸景生情，有濃郁的香港感懷，成為回歸十年一部個人感性之作。
-- 石琪

從班雅明的《單行道》出發思考城市經驗以及香港的意義，影片人物遊走於城市，思考在城市的成長經驗，也思考城市發展本身對個人的意義......
透過歷史回溯，敘述者重新認知或發現二者本來的連繫，但該連繫又隨著城市自身的發展而朦朧......
﹣陳智德 （詩人，文化評論人）

獨特的節奏，細膩的黑白畫面，交織成像格子圍巾一樣溫厚的城市感性。《在唱盤上的單行道》是我城平民生活的光影詩。
-- 鄧小樺 (文化評論人)

An "experimental documentary" shouldn't be such a pleasure to watch: a
provocative, funny, bristlingly intellectual, discursive, playful,
formally challenging, and texturally beautiful film.
-- Shelly Kraicer (Curator of Vancouver International Film Festival)

Cultural critic and film and video maker Mak takes inspiration from philosopher Walter Benjamin in her contemplative portrait of Hong Kong past and present. Brilliantly mixing new and archival footage, Mak blurs the line between the historical and modern city, and in doing so raises questions of identity, belonging, progress and movement. The impact a space has on the people in it is eloquently asked by juxtaposing voiceover interviews of long-term inhabitants with government film's repeated exultations of Hong Kong's defining features. (This is Hong Kong!) Mak asks where people fit inside the frame.
-- 31st Hong Kong International Film Festival Brochure， 2007

這部電影是一個歷史的對照 --
沒有我們自己（不同的）對現今香港社會的認知和感受，沒有我們對自己（最私人的）過去的迷離幻化卻又實實在在的反觀，和在把自己毫無保留地攤開來看過究竟的過程中抓緊回憶的未來，這個作品，並不成立。

同時，沒有對香港和自己的歷史的認識，我們也不可能在這個作品中和自己的生命裡（比較）自由地穿梭，更談不上在電影裡尋覓必須浮游的主體（相對凝固的香港身份 ﹣﹣的問題），和我們，自己(浮游又凝固的主體)。

這不是簡化的對大歷史提出不滿，我只是想用／再挪用 ﹣﹣實驗電影／紀錄片／ ＭＶ／田野錄音的語言去講故事，去講好幾個我們自己的故事。

這部電影，是用歷史的對照，去講私人的故事。

This film is about how people understand Hong Kong and Hong Kongers, thus also about how we understand ourselves, as Hong Kongers.

Tracing personal histories from spatial memories is the essence of this film. The juxtaposition of two stories on “first home” – director’s story (as a local born Hong Konger) in Kwun Tong and the actress’ story (a new immigrant from China to Hong Kong in the 80's) in Mei Foo Sun Chuen, may re-inscribe Hong Kong history and Hong Kongers' changing identities in a more interesting way than what the grand narrative history offers, be it the British colonial government, or the seemingly self-governed Hong Kong government under People's Republic of China

And identities… have been tarrying between moving and rootedness…

工作人員名單 CREW LIST

編劇／導演：麥海珊
演出：梁以文
攝影：王炳雄，麥海珊，許力
音響：陳恩恩，麥海珊 ，陳銘澤，黎淑敏
剪接：李明田，麥海珊
製片：王必敏
執行監製: 阮佩文
劇照 ：李智良
音樂：儉德大廈，在草地上

Screenwriter/Director: Anson Mak
Cast: Yvonne Leung
Director of Photography: Wong Ping Hung, Anson Mak, Derek Hui
Sound: Yammie Chan, Anson Mak, Chan Ming Chak, Mable Lai Editor: Joyce Lee, Anson Mak Production Manger: Ebby Wong
Associate Producer: Ellen Yuen
Still photography: Lee Chi Leung
Music: Kim Tak, Joy Trendy Sound